Play Along Piano

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Handel

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

HWV56N48 - The Trumpet shall sound

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
	24	43	7	7	90%
Bass Voice	16	0	4	8	70%
Trumpet	9	0	1	7	64%
Viola	14	0	1	6	52%
Violin 1	14	0	1	6	52%
Violin 2	11	0	1	6	52%
Violoncello Continuo	16	0	1	6	52%
Violone Continuo	15	0	1	6	52%

The Trumpet Shall Sound (From Handel's "Messiah Oratorio" HWV 56, Part III, Scenes I and II)

Classical Music Central

5:46	Est. Play Time
223	Measures
	2,687Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	27	0	7	8	98%
Tenor Saxophone	19	0	4	8	97%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	27	7	8	98%
Tenor Saxophone	19	4	8	97%
B♭ Clarinet	23	5	10	96%
	6	1	5	4%
Flute	23	5	10	96%
	6	1	5	4%
Alto Saxophone	27	5	10	96%
Tuba	21	5	7	94%
Horn in F	22	5	9	92%
	22	5	8	89%
B♭ Trumpet	19	5	9	78%
	7	1	5	4%
Baritone	16	4	7	67%
Bassoon	7	1	5	4%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%

Messiah| No.33: Lift Up Your Heads, O Ye Gates

Pete Alan

4:06	Est. Play Time
78	Measures
	1,383Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
Alto	8	0	1	7	90%
Tenor	12	0	2	7	82%
Soprano II	11	0	1	7	78%
Soprano 1	10	0	1	7	77%
Bass	15	0	2	6	74%

The Hallelujah Chorus from The Messiah

Glyndŵr Alley Music Publishing Group

3:32	Est. Play Time
94	Measures
	4,112Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor Saxophone	15	0	1	7	100%
	16	0	2	8	99%
Baritone Horn	14	0	2	8	95%
	16	0	2	7	100%
Baritone Saxophone	17	0	2	7	100%
Alto Saxophone	17	0	2	8	96%
	16	0	1	9	98%
Bass Clarinet	17	0	2	7	98%
Bassoon	17	0	2	7	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Glockenspiel	12	0	0	8	88%
Oboe	12	0	0	8	88%
Piccolo	12	0	0	8	88%
Soprano	12	0	0	8	88%
Vibraphone	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Bagpipe	9	0	1	8	59%
Timpani	2	0	0	7	50%

For Unto Us a Child Is Born (Adapted for Children)

clcworship

3:47	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	22	48	8	100%
	19	21	6	100%
Voice	10	0	6	64%

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	22	48	8	100%
	19	21	6	100%
Voice	10	0	6	64%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
Violas	17	0	5	6	72%
Vln 2	23	0	6	6	72%
Harpsi	17	15	3	7	71%
	20	16	3	4	61%
Israelite Woman	16	0	4	9	70%
Celli	20	0	4	5	59%
Kontrebaß	20	0	4	5	59%
Trumpet	10	0	1	8	51%
Organ with out pedals (Continuo)	16	12	5	5	22%
	15	8	3	3	22%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%

"Lontan del mio tesoro" from "Il Pastor Fido," HWV 8 (Early 1733)

edward.maurath

5:20	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	46	7	10	100%
	23	24	4	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	23	46	7	10	100%
	23	24	4	5	100%
Violoncello (Continuo)	19	0	3	5	100%
Soprano as Mirtillo	17	0	6	6	76%
Contrabassi (Continuo)	7	0	0	5	10%
Viole	9	0	0	4	10%
Violini 1	9	0	0	5	10%
Violini 2	10	0	0	4	10%
Violoncelli (Continuo)	7	0	0	5	10%

"Cara speme" from "Giulio Cesare in Egitto," HWV 17, (1724)

edward.maurath

3:29	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	29	5	6	100%
	23	32	5	7	100%
Harp Continuo	22	28	5	7	100%
	23	34	5	7	100%
Violoncello Continuo	20	0	4	7	100%
Sesto	14	0	3	8	83%
Contrabassi Continuo	9	0	0	4	8%
Violini	9	0	0	6	8%
Violoncelli Continuo	9	0	0	4	8%

HWV56N44 - Hallelujah

edward.maurath

4:05	Est. Play Time
94	Measures
	2,411Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	71	2	7	99%
	14	31	2	8	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	71	2	7	99%
	14	31	2	8	100%
Cello Continuo	19	0	2	7	100%
Contrabass Continuo	20	0	2	8	100%
Viola	16	0	2	8	99%
Violin I	20	0	1	9	98%
Tenor	13	0	1	8	96%
Violin II	21	0	3	8	96%
Bass	14	0	2	8	95%
Alto	13	0	2	8	91%
Soprano	12	0	0	8	87%
Trumpet I Concert	11	0	1	8	64%
Trumpet II Concert	7	0	0	8	51%
Timpani	2	0	0	8	50%

HWV56N53 - Worthy is the Lamb that was slain

edward.maurath

7:46	Est. Play Time
162	Measures
	3,494Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	101	8	6	84%
	26	40	6	6	92%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	101	8	6	84%
	26	40	6	6	92%
Cello	24	0	6	6	91%
Contrabass	24	0	6	5	91%
Bass	15	0	4	6	84%
Violin I	25	0	6	7	83%
Violin II	22	0	5	6	81%
Alto	15	0	3	6	81%
Tenor	18	0	6	6	81%
Soprano	16	0	4	6	76%
Viola	20	0	5	6	76%
Trumpet I	12	0	1	6	37%
Trumpet II	9	0	0	6	37%
Timpani	2	0	0	5	33%